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• Lot n° 150 Carlos Mérida (1891-1984, Guatemalan) Untitled, plate 3 from the "Cielos Luminicos" portfolio, 1941 Screenprint in colors on wove paper Edition: 78/100 Signed and numbered in pencil in the lower margin: Carlos Mérida; also signed and dated as part of the image; printed "3" in white ink, verso; Taller de Ediciones Multiarte, Mexico City, prntr.; with an unidentified blindstamp in the lower left margin Image: 15" H x 11.75" W; Sheet: 30" H x 22.25" W Other Notes: Carlos Mérida is regarded as one of the key innovators of Latin American modernism, celebrated for merging European avant-garde aesthetics with Indigenous visual traditions from Guatemala and Mexico. Born in Guatemala City to a family of mixed Spanish and Mayan-Quiché heritage, Mérida was exposed early to the cultural richness of his homeland. Initially trained as a musician, he turned to painting after a hearing condition ended his musical studies, an early shift that would later inform the rhythmic quality of his visual work. In 1910, after his first exhibition in Guatemala, Mérida traveled to Paris, where he encountered the flourishing modernist movements that would shape his artistic trajectory. There he mingled with figures such as Picasso, Mondrian, Diego Rivera, and Ángel Zárraga, absorbing the languages of Cubism, Expressionism, and emerging abstraction. This period crystallized his belief that modernism could serve as a framework through which Latin American artists might reinterpret their own cultural identities rather than simply imitate European models. Mérida returned briefly to Guatemala before relocating permanently to Mexico City in 1919, aligning himself with, but distinctly apart from the Mexican muralist movement. While Rivera, Orozco, and Siqueiros focused on monumental, narrative realism, Mérida carved a more experimental path, blending geometric abstraction with Indigenous motifs drawn from Mayan and Mexican traditions. His work across painting, printmaking, muralism, and design is marked by clarity of form, bold color, and a deep sense of rhythmic composition, reflecting both his musical origins and his commitment to synthesizing diverse cultural sources. Over a career spanning seven decades, Mérida exhibited widely throughout the Americas and Europe, executed major murals in Mexico and the United States, and became an influential teacher and theorist. Today, he is recognized as one of the first artists to articulate a distinctly Latin American form of modernism, one that honored Indigenous heritage while engaging fully with international art movements. His works remain essential touchstones in the study of 20th-century art in the Americas. Image: 15" H x 11.75" W; Sheet: 30" H x 22.25" W Overall generally good appearance. The full sheet with wide margins and deckled edge. A 1.5" H x 5" W irregularly shaped damp stain at the edge of the lower left corner and another 1" H x 6" W irregularly shaped faint damp stain at the edge of the lower right corner, neither affecting the image. A few scattered slight handling marks in the margins. Possible slight paper toning. Unframed