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• Lot n° 3 Everardo Ramirez (1906-1992, Mexican) Untitled, plate 10 from "Vida en mi barriada," 1948 Linocut on wove paper From the edition of 48 Signed and inscribed "10," in pencil, in the lower margin: Everardo Ramirez; initialed in the plate as part of the image, upper left; inscribed "Ex. 11.1.10," in pencil, in another hand, verso Plate: 5.5" H x 4.25" W; Sheet: 15" H x 13" W Other Notes: Born into a peasant family, Everardo Ramirez grew up in Coyoacán, a village on the outskirts of Mexico City. At the age of sixteen, he began his study at the open-air school in Coyoacán under Alfredo Ramos Martínez. In 1928, he became the assistant of Gabriel Fernandez Ledesma at the open-air school Santiago Rebull. Ramirez began working in woodcut around 1930, and in 1933, he co-founded LEAR (Liga de Escritores y Artistas Revolucionarios) along with Leopoldo Mendez and Pablo O'Higgins. He joined el Taller de Grafica Popular (TGP) in 1937 and retained his membership (although he distanced himself from the workshop after the pricing dispute of 1940) until 1947. Ramirez also worked with other members of the TGP to make prints for posters addressing political and social issues. His preferred medium was woodcut but he also worked in linoleum and lithography. Ramirez exhibited at the Museum of Modern Art in 1948. Ramirez was also involved in organizing an exhibition of children's art in 1968, which coincided with the Mexico City Olympic Games. Sources: El Taller de Grafica Popular: Vida Y Arte and Hecho A Mano Plate: 5.5" H x 4.25" W; Sheet: 15" H x 13" W Overall good appearance. With margins. Light-staining. Very pale scattered foxmarks in the margins. A soft, flattened 3" diagonal crease along the right edge of the upper right margin corner, and smaller minor flattened creases in the other three margin corners. A few pale rice-sized (or smaller) surface stains in the upper portion of the left margin edge and the upper right margin corner. 1" H x 1" W (or smaller) surface stains on the verso of each margin corner. The sheet is loose, secured to a back mat with three clear archival corners. Unframed