Lot n° 1
Jesús Escobedo (1918-1978, Mexican) Untitled, from "New York Series," 1946 Lithograph on paper From the edition of unknown size Signed, dated, and inscribed in pencil in the lower margin, at right: Jesus Escobedo / "New York - 1946" Image: 9" H x 9.75" W; Sheet: 12.5" H x 19" W Other Notes: Jesús Escobedo Trejo emerged as a pivotal figure in Mexico's artistic landscape, renowned for his prowess in drawing and engraving. His artistic odyssey began in El Oro, Mexico, but it was in the vibrant milieu of Mexico City where he honed his craft. Under the tutelage of luminaries like Gabriel Fernández Ledesma and Francisco Díaz de León at the Escuela de Pintura al Aire Libre and the Academy of San Carlos, respectively, Escobedo absorbed the essence of traditional and contemporary artistic techniques. What distinguished Escobedo was not solely his artistic acumen but also his impassioned dedication to social causes. He became integral to movements like the Liga de Escritores y Artistas Revolucionarios and the Taller de Gráfica Popular, aligning his art with political and societal narratives. His participation in the 1938 Palacio de Bellas Artes collective exhibition, spearheaded by the Comité Nacional Femenino Pro-Pago de la Deuda Petrolera, underscored his commitment to using art as a vehicle for social change. Beyond gallery walls, Escobedo's canvas extended to the pages of books. His collaborations ranged from illustrating for Mexico's Secretariat of Public Education to partnerships with U.S. publishers, where his artistic ingenuity illuminated various literary works. Notably, his illustrations for the 1946 book "Lecturas Hispanoamericanas" resonated with audiences on both sides of the border, showcasing the universality of his artistic language. Amidst his diverse portfolio, the pinnacle of Escobedo's international recognition was the creation of eight lithographs capturing the essence of New York City, a project funded by the prestigious Guggenheim Fellowship in 1945. Tragically, his artistic journey concluded prematurely at the age of 60, leaving behind a legacy that transcends his temporal existence. His final resting place in the San Nicolás Tolentino cemetery in Iztapalapa, Mexico City, stands as a silent homage to an artist whose brushstrokes spoke volumes about social consciousness and the enduring power of art to shape societies. Image: 9" H x 9.75" W; Sheet: 12.5" H x 19" W Overall generally good appearance. With full margins and deckled edges. Light-staining. Soft creases and cockling scattered along the margin edges and corners. A few scattered thin vertical surface stains and scuffs, primarily in the lower margin, the longest measuring 7" H along the lower portion of the left margin edge, and another measuring 1.25" H down the center of the signature. A pinhole in the left portion of the lower margin edge. Blue pen and pencil notations on the verso of the margin edges. The sheet is loose, not matted. Unframed